18 Sep 2025: In a surprising turn for fans of the blockbuster Kalki 2898 AD, Bollywood star Deepika Padukone will not return for its sequel. Producers have confirmed that after much deliberation, they have mutually decided to “part ways” with Padukone citing that the sequel “deserves that commitment and much more.”
What the Makers Said
On September 18, 2025, Vyjayanthi Movies, the production house behind the mytho-science fiction epic directed by Nag Ashwin, issued a statement on social media.
Key points from their announcement:
- They made it official that Deepika Padukone will not be part of the upcoming sequel of Kalki 2898 AD.
- The reason given: despite the long collaborative journey in making the first film, the parties could not “find a partnership.”
- The producers emphasized that a film like Kalki 2898 AD “deserves that commitment and much more.”
- They also offered their good wishes for her future projects.
Deepika’s Role & Impact
In the first Kalki 2898 AD, Deepika played Sumathi (SUM-80), the pregnant character believed to carry the 10th incarnation of Lord Vishnu, Kalki. Her role was central to the film’s mythological core and emotional stakes.
Given the significance of her part, many fans assumed she would reprise it in the sequel — especially as the sequel plans were reportedly underway, with the possibility of filming beginning by the end of 2025, assuming schedules aligned.
Speculation vs Confirmed Reasons
Prior to this official announcement, there had been speculation linking her exit to her earlier departure from Spirit, another big project, over demands related to working hours, creative differences, and balancing mother-hood.
Deepika had reportedly stated in earlier interviews with the media that her priorities had shifted following the birth of her daughter, saying she did not want to leave her child alone while working.
However, the producers did not explicitly state which parts of her schedule, demands, or other logistics failed to align with their expectations. The phrasing “unable to find a partnership” and “commitment” remains broad and non-specific.
What This Means for the Sequel
- Casting Changes Expected: With Padukone’s exit, the makers will need to either recast her role or rework the storyline. Given Sumathi’s centrality, this is a significant creative challenge.
- Production Timeline: Nag Ashwin had indicated that the sequel might begin shooting towards the end of the year, if schedules permit. Padukone’s absence may necessitate adjustments.
- Fan & Media Reaction: The announcement has sparked considerable discussion on social media. Some fans voiced disappointment, especially given how well Padukone’s character was received.
Industry Angle: Motherhood, Work Demands & Big-Budget Films
Bollywood, like many global film industries, has been witnessing a shift in how leading actors (especially women) balance personal commitments (family, children) with demanding schedules. Big visual effects-heavy, action or sci-fi films tend to have long shooting schedules, night shoots, and high physical demands which may clash with personal priorities.
Deepika’s situation reflects this tension: reports indicate that she had asked for shorter work hours or flexibility in schedules, a request that in large scale, multi-location productions is not always easily accommodated.
City Perspective – Mumbai
Mumbai, the heart of Hindi cinema, has been abuzz since the announcement. As a centre for film production and celebrity life, the city is seeing many conversations about how actors’ personal lives are influencing project choices. The studios, agents, and co-stars are reportedly recalibrating how contracts, shooting plans, and expectations are laid out, especially for high-budget projects. There is also increasing attention from film trade analysts about whether “commitment” will now become a standard contract clause that is more stringently enforced.
Summary
Deepika Padukone won’t feature in Kalki 2, says Vyjayanthi Movies, citing inability to form a “partnership” and that the sequel “deserves commitment.” Recasting or narrative changes anticipated.